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Nina Cassian (pen name of Renée Annie Cassian-Mătăsaru; 27 November 1924, in Galați – 14 April 2014, in New York City) was a poet, children's book writer, translator, journalist, accomplished pianist and composer, and film critic.(7 March 1999). Poetry in Brief, The Independent She spent the first sixty years of her life in Romania until she moved to the United States in 1985 for a teaching job. A few years later Cassian was granted permanent asylum and New York City became her home for the rest of her life. Much of her work was published both in Romanian and in English.
Over the years she took drawing lessons with George Loewendal and M. H. Maxy, acting lessons with Beate Fredanov and Alexandru Finți, piano and musical composition lessons with Theodor Fuchs, Paul Jelescu, Mihail Jora, and Constantin Silvestri.
She frequented left-wing intellectual circles and joined the Union of Communist Youth at age 16. In 1944 she entered the Literature Department of the University of Bucharest, but abandoned her studies after one year.
In 1945 Cassian published her first poem, Am fost un poet decadent ("I Used to Be a Decadent Poet") in the daily România Liberă, and her first poetry collection, La scara 1/1 ("Scale 1:1") in 1947. These early publications were greatly influenced by French modernist poets she had spent time with, especially the surrealist writers are said to have had a lasting influence on Cassian. It was labeled "decadent poetry" in a Scînteia article in 1948. Scared by that fierce criticism, she then turned to writing in the proletkult and socialist-realistic fashion. This phase lasted for about eight years.
This is also when Cassian turned to writing children's books, such as Copper Red and the Seven Dachsies (which was published in English in 1985 after it had become a bestseller in Romania), and children's stories, such as Tigrino and Tigrene (which was written in verse and published in English in 1986, adapted from the Romanian original Povestea a doi pui de tigru, numiţi Ninigra şi Aligru). In an interview in 1986, she explains why she made the choice to focus on children's literature: "It was in 1950, during the dogmatic period in Romania. Socialist realism is, unfortunately, characterized by the restraining of structures and styles and vocabulary. ... So when I was asked to write in a rigid and simplified manner, I tried to do my best, but after awhile, I switched to literature for children because it was the only field where were still allowed, where imagination was tolerated and assonance was permitted." At least some of her children's stories and books have been translated to English but are not available in bookstores anymore today.
Cassian was later married to Al. I. Ștefănescu. Although born into a Jewish family, he was Romanian Orthodox, and during their marriage, she stated that she was much closer to his religion than to Judaism, and that she had never read a page of the Talmud.
She was granted asylum in the United States, and continued to live in New York City.Gray, Channing (19 June 2008). Poet, composer, refugee at URI, The Providence Journal Eventually, she became an American citizen.
In the US, she started writing poems in English and published in The New Yorker, The Atlantic Monthly and other magazines. Some of these poems were also published in collections, for example Life Sentence in 1990 and Take My Word for It in 1998, both of which are still available today.
In the US, she was married to Maurice Edwards.
Cassian died of a cardiac arrest or heart attack in New York on 14 April 2014. She is survived by her husband.
Life in Communist Romania
In the mid-40s Cassian started to find her place in the literary scene in Romania. She was married to the young poet Vladimir Colin in 1943 (their marriage lasted until 1948) and had a very close relation with Ion Barbu. One of Barbu's poems, Ut algebra poesis ("As Algebra, So Poetry"), was written for her in 1946. Most interestingly though, Cassian also formed a very close friendship with the famous poet Paul Celan during the time he lived in Bucharest (1945–1947). Along with other writers and artists, Celan and Cassian played such as "Questions and Answers" or "Ioachim", which is the Bucharest version of André Breton's famous game, Exquisite corpse. Cassian and Celan bonded over their fascination for languages and used multilingualism as an inspiration for their work.
Emigration and life in the USA
Cassian travelled to the United States as a visiting professor for creative writing at New York University in 1985. During her stay in America, a friend of hers, Gheorghe Ursu, was arrested and subsequently beaten to death by the Securitate for possessing a diary. The diary contained several of Cassian's poems which Satire the Communist regime and the authorities thought to be inflammatory. Hence, she decided to remain in the US.
Books
Presence in English language anthologies
External links
Categories: Censorship In Romania, 1924 Births, 2014 Deaths, People From Galați, Jewish Poets, Jewish Romanian Writers, Romanian Journalists, 20th-century Romanian Poets, Romanian Children's Writers, Romanian Women Children's Writers, 20th-century Romanian Translators, 20th-century Romanian Women Writers, 21st-century Romanian Women Writers, 21st-century Romanian Poets, Romanian Women Poets, International Writing Program Alumni, Romanian Expatriates In The United States, Romanian Defectors, The New Yorker People, The Atlantic People, Jewish Women Poets
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